글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블

글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블

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The prose version of Hayward seemed to have been accepted as the standard, in default of anything more satisfactory: the English critics, generally sustaining the translator in his views concerning the secondary importance of form in Poetry, practically discouraged any further attempt; and no one, familiar with rhythmical expression through the needs of his own nature, had devoted the necessary love and patience to an adequate reproduction of the great work of Goethe's life. The care and conscience with which the work had been performed were so apparent, that I now state with reluctance what then seemed to me to be its only deficiencies,--a lack of the lyrical fire and fluency of the original in some passages, and an occasional lowering of the tone through the use of words which are literal, but not equivalent. The present participle can only be used to a limited extent, on account of its weak termination, and the want of an accusative form to the noun also restricts the arrangement of words in English verse.

The prose translator should certainly be able to feel the manifestation of this law in both languages, and should so choose his words as to meet their reciprocal requirements. Hayward's prose translation. Where all the restraints of verse are flung aside, we should expect, at least, as accurate a reproduction of the sense, spirit, and tone of the original, as the genius of our language will permit. Poetry, indeed, may be distinguished from Prose by the single circumstance, that it is the utterance of whatever in man cannot be perfectly uttered in any other than a rhythmical form: it is useless to say that the naked meaning is independent of the form: on the contrary, the form contributes essentially to the fullness of the meaning. The English language, though not so rich as the German in such rhymes, is less deficient than is generally supposed. The difficulty to be overcome is one of construction rather than of the vocabulary. He shall not leave the spot alive.

Since many people do not need ample blood to engage in arduous activity which has a entire tummy, the body will rebel to begin with by creating you are feeling awful, but This can be an envisioned response. I wish the crowd to feel itself very well treated, In particular as it life and allows me Are living; The posts are established, the booth of boards completed. Ye crowd a lot more around! My own process has long been cheered by the invention, the far more carefully I reproduced the language of the original, the greater of its rhythmical character was transferred simultaneously. I truly feel impelled, its that means to determine,-- With genuine function, when for all, The hallowed Primary To alter to my beloved German. Well-manufactured you're, 'tis to not be denied, The remainder a Daring tackle will win you; When you but in your self confide, Without delay confide all Other individuals in you. So, all which you as Sin have rated,-- Destruction,--aught with Evil blent,-- That is certainly my good component. Hayward's totally omits the aspect of poetry.

Hayward's ear didn't dictate to him the requirement of preserving the initial rhythm. I honor him with the patient and conscientious labor he has bestowed upon his translation,--I can't but feel that he has himself illustrated the unsoundness of his argument. Poetry just isn't basically a vogue of expression: it is the kind of expression Definitely expected by a particular class of ideas. The English ear is suspicious of recent metres and unaccustomed sorts of expression: there are actually significant detectives to the observe of every writer, as well as a violation from the recognized canons is followed by a summons to judgment. In Poetry which endures through its have inherent vitality, there is not any pressured union of both of these components. The creator's imagined is stripped of A final grace in passing by his thoughts, and frequently provides a great deal the exact same resemblance to the original as an unhewn shaft to the fluted column.

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